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#370693 - 05/12/05 01:01 AM Today's Studio Monitor Shootout results.
GAWZDigitalUnderground Offline
Artist # 39
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Registered: 08/18/02
Posts: 17600
Loc: Rock Star Hell, NC (Charlotte ...
Dan Richards was nice enough to offer to ride down to my studio today with a Jeepload of Monitors..Actually he brought the Mackie HR824's, Dynaudio BM5A's, and the 6's..We also compared them against my Behringer Truth's.

This is just my personal opinion of what I heard today..Take it for what it's worth comming from me! \:D

The Behringers vs the Mackies..There was a difference. I won't say that the Truth's were better, but I can't say they were that much worse either..Dan and I both pretty much agreed that if you factor in the price difference, we didn't hear that much improvement to warrant paying $1,200 for the Mackies, vs, the $400 for the Truths...Now if money isn't a concern, I wouldn't hesitate buying the Mackies over the Truths. The Mackies seemed to have more low end, and were abit clearer. But $800 worth? I don't know. Seems like a good Eq between the recorder and the Truth's, and you'd have the Mackies..But that's just my 2 cents. ;\)

Now, the Mackie HR 824's vs the Dynaudio..Well, what can I say, not really in the same ball park to my ears..The Dynaudio BM5A's just rocked..Tight focused bass, not muddy. Crystal clear high's, etc, etc. I was really impressed. We ran some of my mixes through each and with the Dynaudio's, you could hear clearly the reverb trails, the sizzle in the cymbals, and everything. Things that I couldn't hear with the Truth's, and the Mackies were right up there in the BM5's. What can I say, I'm buying the Dynaudio BM5's.. \:\)

It would have been great to get to spend a couple of weeks with both sets of monitors, and got to do some actual tracking, and mixing with them, but for a short days listen, the Dynaudio's seemed like the clear winner of my moolah.. ;\)

C# also rode up to meet Dan..Wish he could have made it earlier and spent more time with us during the shootout, but Dan got a few pic's, and I'm sure he'll post here later on. I had a Blast.. and I'll have some great news to share in the next few months concerning our next cd..
_________________________
Terry Walker






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#370694 - 05/12/05 01:40 AM Re: Today's Studio Monitor Shootout results.
Brad Lyons Offline
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Registered: 01/31/02
Posts: 8776
Loc: Atlanta, GA
You're talking about listening to monitors in your test, sorry that isn't how you test them :-) Did you do a frequency analysis or filter sweeps and listen to phase cancellation in the room? Did you listen to your mixes on various playback systems to see how close they came? again, that is how you test the accuracy of the monitor. I disagree on the Behringer, those things are far from accurate... sound good yes, accurate, NO
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#370695 - 05/12/05 01:59 AM Re: Today's Studio Monitor Shootout results.
kid-surf Offline
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Registered: 09/21/99
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Well in any case this is what Terry said --------->


 Quote:
Dynaudio..Well, what can I say, not really in the same ball park to my ears..The Dynaudio BM5A's just rocked..Tight focused bass, not muddy. Crystal clear high's, etc, etc. I was really impressed. We ran some of my mixes through each and with the Dynaudio's, you could hear clearly the reverb trails, the sizzle in the cymbals, and everything. Things that I couldn't hear with the Truth's
Key phrase----------> "Things that I couldn't hear with the Truth's"


It's not like he's buying a crap monitor, so IMO tests really don't matter much in that case. I'm certain those monitors will help Terry hear things he wasn't aware of.


Can I give you one mix hint though, Terry.... \:\) Generally your mixes are pretty light on the low end. I would work to try and fill that out a little more.


Congrats dude, enjoy!

Money well spent! I think you'll see the benefits over the next few months as your ears adjust to them.


If you're next album doesn't sound better than the previous, then I owe ya a 100 bucks.... ;\)


........ don't "try" to do crap mixes just to get that 100 bucks though!!! \:D

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#370696 - 05/12/05 01:59 AM Re: Today's Studio Monitor Shootout results.
C Jo Go Offline
EMERITUS ~ VS Roland
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Registered: 11/05/01
Posts: 40388
Loc: carmel valley,ca
Hey Terry--what ever works in your enviroment...doesn't matter with a lot of the tech stuff you apply. It is your ears/room. If you really listen ~~mix a few tunes~~ listen in a boombox/car audio. And just pick the best for your ears. But do give the 3 or 4 monitors a real test---different mixes from your VS and commercial CD's..
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#370697 - 05/12/05 02:37 AM Re: Today's Studio Monitor Shootout results.
GAWZDigitalUnderground Offline
Artist # 39
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Registered: 08/18/02
Posts: 17600
Loc: Rock Star Hell, NC (Charlotte ...
Brad, all I can do is give my impression of each monitor, in my room. I picked tunes to compare that I have played on alot of different stereos, car cd players, and boom boxes. I know how these mixes sound when played back. I also used 3 Doors Down's cd "The Better Life" to listen with. It's one of my favorite cd's, and I know it pretty well. This wasn't a "real" shootout, in an acoustically correct room, and I'm sure Dan will agree, not the best place to do something like this. This isn't anything official, but just something to help me make a decent choice of the monitors within my budget. I doubt anyone on this board will take my word as Bible on monitors.. as I stated, just my personal opinion! Being that as it may, well..the Dynaudios still rocked! ;\)

Brad, what exactly bugs you about this, why the hostility dude? :p ;\) \:D

Kid, I agree, those mixes are light on bass in some of the playback systems I've listened on. And I didn't really spend time getting the best bass either. My home stereo's and car have bass subs, that compensate. But then again, if I'm not hearing what I'm susposed to, more the need to upgrade my monitors.. \:\)

Let me add that, it was nice to hear what I had been missing..I know where I had too much verb, and I caught myself, saying to myself, there's too much of this, and not enough of that..I just couldn't hear it before!
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Terry Walker






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#370698 - 05/12/05 02:52 AM Re: Today's Studio Monitor Shootout results.
ScreamTrumpetGuy Offline
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Registered: 06/13/02
Posts: 331
Loc: Boston, MA
Listening to monitors in a perfect space is totally irrelevant. Measuring speakers is totally irrelevant. You can go ahead and go measure every monitor to your hearts content, I'll choose based on listening any day. I want a monitor that lets me hear what's really there in a way that's easy to listen to. I don't want to feel like there are socks in my ears at the end of the day. I couldn't care less about the frequency response of my monitors as long as they help me hear what I want. If a speaker has a notable deficiency that's going to show up in a measurement test, I'm going to be able to hear it. If I can't hear it over a several hour shootout, when properly A/Bing it with other monitors, then I really don't care. If I can't hear it, then as far as I'm concerned it isn't there. Why waste your time worrying about things that you can't hear? The only tool you need to make proper judgements about anything in audio is your ears. Most people fall into the trap of worrying about what they think others hear. Nobody wants to be the only guy in the room who can't hear the difference between two things, so many people end up fooling themselves into stupidity. There have been many times where someone is twiddling a knob on a compressor or something and I pipe up to say that I can't hear any change. Alot of times the compressor isn't in, or the insert switch isn't pressed on the console. There have been times where I honestly couldn't hear the difference between settings, but it's not embarrasing in the least. TRUST YOUR EARS. BE HONEST WITH YOURSELF. MEASUREMENTS ARE FOR DESIGN ENGINEERS AND RETAILERS.
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#370699 - 05/12/05 02:53 AM Re: Today's Studio Monitor Shootout results.
GAWZDigitalUnderground Offline
Artist # 39
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Something else I wanted to ask everyone, if you've experienced the same thing or not..Regardless of how my mixes sound on the boom box, my Z's Bose system, or home stereo, I think the real test of a mix is how it sounds when ripped to a MP3 file.. I hear alot of you guys tunes that I think sound great as mp3's, and I alway wonder what the song sounds like on a regular cd..Sometimes it seems I can tell more from listening to the mp3, than anywhere else.. Is this just me, or has anyone else experienced this?
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#370700 - 05/12/05 03:28 AM Re: Today's Studio Monitor Shootout results.
kid-surf Offline
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Registered: 09/21/99
Posts: 14908
 Quote:
BY GAWS ------- My home stereo's and car have bass subs, that compensate. But then again, if I'm not hearing what I'm susposed to, more the need to upgrade my monitors.. \:\)
Right! Be very careful not to let those subs fool you. Every sub system is different (meaning car systems home systems). I personally think mixing for subs is irrelevant. If you mix it to sound fat on system without a sub, the guys using subs can just turn the sub down.

To qualify that --- notice that if you compare the low end on 20 commercial CD's it's generally not the same, not "exactly" the same. But it's generally balanced. In other words it's not gonna blow up your sub. "THAT'S" what you're going for IMO. In other words a very "thin" mix will sound fat with enough subs kick'n...... just gotta be careful not to get fooled by that. Because if I'm not using the same sub system there's a good chance it's gonna sound to thin on my end.


General comments above....


Again congrats Terry.... \:\)

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#370701 - 05/12/05 03:36 AM Re: Today's Studio Monitor Shootout results.
kid-surf Offline
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Registered: 09/21/99
Posts: 14908
 Quote:
Originally posted by ScreamTrumpetGuy:
Listening to monitors in a perfect space is totally irrelevant. Measuring speakers is totally irrelevant. You can go ahead and go measure every monitor to your hearts content, I'll choose based on listening any day. I want a monitor that lets me hear what's really there in a way that's easy to listen to. I don't want to feel like there are socks in my ears at the end of the day. I couldn't care less about the frequency response of my monitors as long as they help me hear what I want. If a speaker has a notable deficiency that's going to show up in a measurement test, I'm going to be able to hear it. If I can't hear it over a several hour shootout, when properly A/Bing it with other monitors, then I really don't care. If I can't hear it, then as far as I'm concerned it isn't there. Why waste your time worrying about things that you can't hear? The only tool you need to make proper judgements about anything in audio is your ears. Most people fall into the trap of worrying about what they think others hear. Nobody wants to be the only guy in the room who can't hear the difference between two things, so many people end up fooling themselves into stupidity. There have been many times where someone is twiddling a knob on a compressor or something and I pipe up to say that I can't hear any change. Alot of times the compressor isn't in, or the insert switch isn't pressed on the console. There have been times where I honestly couldn't hear the difference between settings, but it's not embarrasing in the least. TRUST YOUR EARS. BE HONEST WITH YOURSELF. MEASUREMENTS ARE FOR DESIGN ENGINEERS AND RETAILERS.
Ditto that! Did I write that? \:D We're of the same mind Scream.... ;\)


Too many friggn tests.... sheesh.

You could worry yourself into a hole, testing every dang thing in your room (and figure out that you need to spend half a mil to "fix it"). Or you could write some music and mix the dang stuff. I guess I choose music over microscopes.....

Good monitors have already been tested at the factory.... I trust their results.

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#370702 - 05/12/05 03:47 AM Re: Today's Studio Monitor Shootout results.
Popmann Offline
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Registered: 05/23/02
Posts: 34674
Loc: Twangville, TN
 Quote:
Listening to monitors in a perfect space is totally irrelevant. Measuring speakers is totally irrelevant. You can go ahead and go measure every monitor to your hearts content, I'll choose based on listening any day.
So long as it's an educated listen, I agree completely. Listening for "good" does you no good either. You have to listen for "qualities" you KNOW are on the recording--and do the monitors make that clear.

I have actually NEVER heard my mixes sound better than on a friend's Truths. All the flaws I knew were there? Masked very nicely. If I needed bookshelf sized stereo speakers, I'd buy them in heartbeat, given the price. But, if a vocal's harsh, I want the montiors to tell me that.

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#370703 - 05/12/05 03:50 AM Re: Today's Studio Monitor Shootout results.
Sneakeratz Offline
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Registered: 11/29/02
Posts: 2334
Loc: Newbury Park, CA.
Analysis paralysis .... phooey... It's your ears that's gotta like em, not some meter.

You said it all... you could hear things you couldn't before... Good enough for me ! and you too apparently - CONGRATS Terry ! ENJOY

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#370704 - 05/12/05 03:52 AM Re: Today's Studio Monitor Shootout results.
R2 Offline
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Registered: 10/06/00
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Hey Gaws,

In your original post, you mentioned that Dan brought the BM5A's and 6's. Was that the BM6A's? If so, what did you think of them vs the 5A's? I've heard them both, but not at the same time or in the same room. Kind of hard to tell that way. Thanks!

Roger

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#370705 - 05/12/05 04:29 AM Re: Today's Studio Monitor Shootout results.
kid-surf Offline
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Registered: 09/21/99
Posts: 14908
 Quote:
Originally posted by Popmann:
So long as it's an educated listen, I agree completely. Listening for "good" does you no good either. You have to listen for "qualities" you KNOW are on the recording--and do the monitors make that clear.

I have actually NEVER heard my mixes sound better than on a friend's Truths. All the flaws I knew were there? Masked very nicely. If I needed bookshelf sized stereo speakers, I'd buy them in heartbeat, given the price. But, if a vocal's harsh, I want the montiors to tell me that.
That's what he meant, and what I meant, but it's still worth pointing out. It's a very "key" point. One that experienced guys just know. Yet inexperienced guys might get a little confused about that point. ("what are GREAT monitors?")


So let me put that another way just to reiterate the point --------- Actually I'll give two examples that make the point.


1) A noob walks into the music store and listens to some monitors (we'll call them monitor "X and Y"), He listens to "Y" and is not quite sure, the bass sounds off, and many of his mix moves sound weird. He says "those sound weird, my mix doesn't sound like it does on my home stereo, no thanks". Then he listens to "X" and is overjoyed with how great they sound. "Yes, my music sounds bitchen on these, give me these, they sound great!"


2) A seasoned pro walks into the music store and listens to "X" monitors, and then "Y". With "X" he says "Yuk, totally smeared, I can't tell what's going on, these are a mess, no thanks". Then he listens to "Y" and comments "Oh, there's that frequency problem, man my bass has way too much 60 Hz, my mix lacks definition, and I've got some really bad probs in the 3k area ...... I'll take these, I love them, they sound great!"


The noob guy think his monitors sound "great" and the experienced pro thinks his monitors sound "great".... yet we can clearly see "great" takes on a different meaning for both.


More or less that's what it's about....

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#370706 - 05/12/05 04:39 AM Re: Today's Studio Monitor Shootout results.
gattshalls Offline
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Registered: 03/14/03
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Loc: Manitou Beach, Mi
"I have actually NEVER heard my mixes sound better than on a friend's Truths. All the flaws I knew were there? Masked very nicely."

If you know there are flaws. Should you buy the monitor because they hide flaws or because they give you the .............truest..... refection of your recording.

Kid I think your right, but maybe you can elaborate on this point.

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#370707 - 05/12/05 05:04 AM Re: Today's Studio Monitor Shootout results.
Frank Griffith Offline
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The two best and most important peices of gear in your studio are attached to the sides of your head, your EARS!
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VS2480DVD,3-VS8F-2/1-VS8F-3 & 5 plugins+Auto-Tune,MassHiRes EQ,UA Bundle,Chrometone,Soundblender/TC Reverb,T-Racks.Dyns BM5A's,Roland DS50A's,M-Audio 2.1,PreSonus TubePre w/Rode NT1000,SM57&58,MXL V57&V67,B-5,XV5050,Yamaha P200,Oxygen8 V2,Behring V-amps,SansAmp DI, Taylor,Gibsons,Fender,Ric,Washburn Bass.2 RPC-1's,PC Sonar 4, Acid 5, Wavelab etc.

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#370708 - 05/12/05 05:11 AM Re: Today's Studio Monitor Shootout results.
kid-surf Offline
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Registered: 09/21/99
Posts: 14908
 Quote:
Originally posted by gattshalls:
"I have actually NEVER heard my mixes sound better than on a friend's Truths. All the flaws I knew were there? Masked very nicely."

If you know there are flaws. Should you buy the monitor because they hide flaws or because they give you the .............truest..... refection of your recording.

Kid I think your right, but maybe you can elaborate on this point.
That's what Pop means... he would "NOT" want monitors that hid the flaws.

I'll elaborate in a bit........... but let me ask what you are unclear about.


BTW--- for the record: when I "DO THIS" , I'm not YELLING.... I'm just trying to be perfectly clear.

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#370709 - 05/12/05 05:28 AM Re: Today's Studio Monitor Shootout results.
Spargo Offline
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Registered: 02/20/04
Posts: 1189
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Soooooooo ..... Some speakers are so good that they are bad?
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#370710 - 05/12/05 05:38 AM Re: Today's Studio Monitor Shootout results.
shanabit Offline
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Registered: 09/07/04
Posts: 2270
"The only tool you need to make proper judgements about anything in audio is your ears"

Agreed. ;\)
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#370711 - 05/12/05 07:57 AM Re: Today's Studio Monitor Shootout results.
kid-surf Offline
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Registered: 09/21/99
Posts: 14908
 Quote:
Originally posted by Spargo:
Soooooooo ..... Some speakers are so good that they are bad?
No, it's the opposite of that.... Some monitors are so good that only a "great mix" sounds "great" on them.


Some people claim that anything sounds good on Genelecs, but that's not what I hear, not at all. Awesome mixes sound awesome, bad mixes sound comparatively worse on these compared to both a great and bad mix on a much more limited monitor. Essentially if you are listening correctly, the great mix and the bad mix will polarize themselves that much MORE than on a not so good monitor.

Think of it like this, in a VERY GENERAL SENSE. Think of 1 being the worst crafted mix 10 being the best. (not taking into consideration the subtleties of artistic choices. Talking fundamentals only. i.e. "balance")


"SAME 2 MIXES" one great, one shitty.

Bad monitor ----- great mix sounds like a 10, bad mix sounds like an 7.

Good monitor ----- great mix sounds like a 10 bad mix sounds like a 4.


Give or take, that's the difference. Again, If you know what to listen for.....

Clearly, if you "thought" all this time that your mix was a 7 -- but for "some reason" wasn't translating well -- only to find out it's really a 4. Well, there it is clear as day. Now you can "HEAR" where you went wrong. You may have 20 "fundamental" problems with your mix that you never even knew about. Now you can HEAR those problems, NOW you can compensate.


It's very relative though, because if someone doesn't really know what to listen for, they "may" end up thinking a bad mix sounds good on high end monitors simply because they didn't know what to listen for. And in this example we're listing to very expensive (most likely) monitors so "EVERYTHING" is gonna sound better than on bad (or cheap) monitor if we're listening to "the monitor" and not the music. "The qualities of the mix THROUGH that monitor". See the diff?

Where bad monitors hide all sorts of things from you...

For example : Bass is the problem most run into, right. What if we play a mix on my Gens, let's say I hear a major prob in the low end, but I don't say anything, yet another guy less experienced say's "man that mix sounds awesome". See? He didn't even notice the problem because he was too busy being "impressed" by the monitor. Which goes back to -----> "you gotta go into it having some idea of what to listen for".

Does that makes sense?


This is not about me trying to get everyone to freak out and rush out to go buy top of the line $4,000 -- $5,000 monitors. It's simply the way it is with monitors, the truth about them , they do make a difference. So let's be real about that and take it from there. It's to say that if you have a hand full of expensive pre amps, a rack of vintage compressors, ADC, 20 guitars, 3 drum kits, a nice big live room you had custom built, and are mixing on $200 monitors. Well, then you have a MAJOR weak-link in your rig (period!). And you should NOT buy yet another pre amp "before" you buy some decent monitors. If you say you have amazing mixes on $200 monitors great, but they sure as hell aren't what they could be. ;\)


(I personally feel I could get better mixes -- END PRODUCT- using my monitors -1032's- and the stock pres of a 2480, or my D8B board, over using bad monitors and a kick ass pre)


Think of it this way.... monitors are the "ONLY" thing you have to tell you what's actually on "tape". It's like the telephone game..... you have to trust that what the person before you is telling you is "actually" the SAME as what the person before them told 'them'.


Monitors speaking ------ "hey man, everything is cool here, bass is perfecto, no probs in the mid range, we are good to go. burn this mix"


You ------- "Thanks guys, glad to hear that"


You burn your mix and run out to the car..... BANG!!!!!!!! It sounds like shit! A fucking mess. One of two things happened. Either your monitors lied to you, or you just don't know what to listen for. 90% of the time it's one of those two probs.....


just trying to help.............

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#370712 - 05/12/05 12:48 PM Re: Today's Studio Monitor Shootout results.
BmC Offline
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Registered: 04/10/01
Posts: 15806
Loc: Bear River, Nova Scotia, Canad...
"You're talking about listening to monitors in your test, sorry that isn't how you test them :-) Did you do a frequency analysis or filter sweeps and listen to phase cancellation in the room? Did you listen to your mixes on various playback systems to see how close they came? again, that is how you test the accuracy of the monitor. I disagree on the Behringer, those things are far from accurate... sound good yes, accurate, NO"

This is why this guy pisses me off so much... Not to many people give a rat's ass about all this technical crap. We want to make music and not get caught up in all the technical stuff. That's why you got a house full of high end technically perfect equipment gathering dust. If the man had a selection of monitors to listen to in his own environment and made a choice based on what sounded best to him, why tell him he's wrong. Very arogant if you ask me. it's been said around here many times, go make some music.
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#370713 - 05/12/05 01:06 PM Re: Today's Studio Monitor Shootout results.
ScreamTrumpetGuy Offline
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Registered: 06/13/02
Posts: 331
Loc: Boston, MA
If you want a speaker that really lets you know how bad you suck, buy Adam S3as. They're fatiguing in general, but a bad mix on them makes you want to slam your face into the console. When I first pull up the faders when doing a mix on them I'm always reminded of that scene from Dumb and Dumber:

"Say, do you want to hear the most annoying sound in the world?".

When you can stand to listen to your mix on the Adams, that's when you know you're in the ballpark.

They're terrible monitors if you want to be flattered, but you'll be blown away if you want a monitor that bluntly tells you how bad you are. I've never heard a commercial CD on them that didn't have tons of flaws.
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#370714 - 05/12/05 01:26 PM Re: Today's Studio Monitor Shootout results.
kirk Offline
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Registered: 08/25/04
Posts: 3426
Loc: Cairo Ga
Well I'm hearing challenged.
By that I mean after years of playing my highs are damaged. Now I know this is really bad for someone who enjoys mixing,but I have managed to adjust. I think the more accurate the reproduction is through the monitors the better the mix becomes. For me its all in the translation. THe little Roland 50s I have are not good monitors for my money. THey are somewhat accurate though. What I have found is that the bass is almost always thin and lacking. So I wind up doubling it or adding compression eq etc to get it to translate correctly to other consumer stereos. But to get the sound I want I have to mix at a higher volume. This is not good for my already damaged hearing. After talking and listening to Kid and Terry and Dan ,my money is going on the Dynaudios,because I can mix accurately at lower volumes and hear what is going on.

I wonder if any of you guys have ever had your mix played on the radio ? Its an eye opener for sure. My step son's band was featured several tiiimes on gulf 104 in Tallahasse on a show that features local bands. When they played the cd there was a big difference between it and the commercial cds they had played previously. Of course it was one of the first mixes I ever did but it sure taught me alot. THE dyna audios are the way to go for me.

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#370715 - 05/12/05 02:00 PM Re: Today's Studio Monitor Shootout results.
Dan Shum Offline
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Registered: 09/03/02
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Loc: Springfield, MO
Great thread/post. Thanks Terry! Glad you got the opportunity. I wish I could have gotten a chance to do something like that.

Kid, I agree totally. I think you're spot on. (not that you needed me to tell you that :rolleyes: \:D )

The whole thing is a combination of the moniters, the room, and your ears. Now that you're changed monitors you'll probably have to "relearn" your room, Terry. I would think that being able to hear things you couldn't before will not only effect your mixing but help make better choices during tracking too. Man, this is making me want to buy some new monitors \:D
_________________________
Dan Shum
"...words and music."

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#370716 - 05/12/05 02:00 PM Re: Today's Studio Monitor Shootout results.
LDT2 Offline
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Registered: 11/15/04
Posts: 759
Loc: Nashville,Tn.
I'm curious about the BM6A's too. There was no mention of how they compared. I'm wondering especially about the low end freq response vs the BM5A's. LDT2
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#370717 - 05/12/05 02:28 PM Re: Today's Studio Monitor Shootout results.
Dot Offline
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Registered: 12/13/00
Posts: 9013
Loc: New York
Terry, good to meet you and C#!

What we auditioned:

Behringer Truth
Mackie HR824
Dynaudio BM5A's
Dynaudio BM6A's

I agree pretty much with Terry. I thought the Truth's sounded like they were muffled. I didn't hear any real improvement when comparing the Truth's to the Mackie's. The Mackie's had more low-end - and a little better separation of instruments, but not by much. And I couldn't justify the $1200+ cost of the Mackie's over the $399 cost of the Truth's.

Next were the BM5A's. Immediately there was a noticable difference. With the 5A's I could easily hear details of the program material that were not at all evident on the Truths or the Mackie's. With the 5A's I could hear all the reverb tails, the top of the snare and cymbals, and overall clear separation of instruments. The bass was tighter but still full.

The BM5A's and BM6A's both have 6.89" woofers. 5A's have 50W amps on tweeter and woofer. 6A's have 100W amps. The 6A's have the BM series styling. The 5A's have the AIR series styling.

The 6A's sounded near to the 5A's until we turned up the 6A's louder. That's when the 100W amps showed the 6A's to have more horsepower. But for the small size control room the 5A's more than do the job.

In the end, we thought the 5A's [ also considering price ] were the best tool for the job. At under $900 the 5A's kicked the $1200+ Mackie's to the curb. The owner is buying the 5A's.

One of my pairs of personal monitors are Dynaudio AIR 15's with a Benchmark DAC1. So, I'm used to that $3000+ monitor sound on a daily basis. The 5A's deliver the same type of sound [ clarity, imagery, depth, no ear fatigue ] in a smaller package.
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#370718 - 05/12/05 03:00 PM Re: Today's Studio Monitor Shootout results.
Vito1 Offline
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Registered: 07/29/02
Posts: 7944
Loc: Florida, USA
Did you have the combination of the BM 5A with the BM 10S will for 5.1 system sound test? That would be awesome, eh?
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#370719 - 05/12/05 03:20 PM Re: Today's Studio Monitor Shootout results.
bdorman Offline
Planeteer/Artist # 196
Planeteer


Registered: 01/21/02
Posts: 7634
Loc: Chicago
Assuming the purpose of monitors is to help us achieve a mix that sounds good on most consumers stereos...isn't that the only measure that matters?

I get nervous when someone says "I could hear things (reverb tails, etc) that I couldn't hear on lesser monitors." So what? the "better" monitor made it stand out. So, I turn down the reverb tail until it sounds good on the monitor. But now there's NO reverb tail on the consumer stereo!

Just like you guys, my gut tells me that More Accurate Is Better. But that same gut tells me that Too Accurate Might Be Chasing My Tail.

Bob
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#370720 - 05/12/05 03:46 PM Re: Today's Studio Monitor Shootout results.
LDT2 Offline
Planeteer


Registered: 11/15/04
Posts: 759
Loc: Nashville,Tn.
Thanks Dot,
For some reason I was thinking that the 6's had larger speakers. Is there an advantage of one "styling" (BM vs AIR) over the other? This kind of "real world" comparison really helps alot. The BM5's are actually within reach, I paid $800 for my DS-90's. Thanks guys. LDT2

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#370721 - 05/12/05 04:04 PM Re: Today's Studio Monitor Shootout results.
Dan Shum Offline
Planeteer


Registered: 09/03/02
Posts: 452
Loc: Springfield, MO
 Quote:
Originally posted by bdorman:
Assuming the purpose of monitors is to help us achieve a mix that sounds good on most consumers stereos...isn't that the only measure that matters?

I get nervous when someone says "I could hear things (reverb tails, etc) that I couldn't hear on lesser monitors." So what? the "better" monitor made it stand out. So, I turn down the reverb tail until it sounds good on the monitor. But now there's NO reverb tail on the consumer stereo!

Just like you guys, my gut tells me that More Accurate Is Better. But that same gut tells me that Too Accurate Might Be Chasing My Tail.

Bob
Wouldn't that depend on whether or not we should be able to hear the reverb tail on the consumer end? I think that being able to hear that level of detail from tracking to mixing to mastering will help translate into a consumer product that is better in any environment. That's where your ears, experience, and knowing how your mixes translate to various settings come in. If on poor moniters you have to crank up the verb more to hear the effect you want, you might also be adding some "mud" that you don't want. Maybe it's the things we can't hear that affect our mixes as much as the things that we can hear? Is that a true statement or just BS?
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#370722 - 05/12/05 04:34 PM Re: Today's Studio Monitor Shootout results.
Dot Offline
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Registered: 12/13/00
Posts: 9013
Loc: New York
 Quote:
Originally posted by bdorman:
Assuming the purpose of monitors is to help us achieve a mix that sounds good on most consumers stereos...isn't that the only measure that matters?
I think that's one parameter, but it's not the only one. Another important aspect is how the monitors and the engineer interact during sessions - sometimes long sessions. Ear fatigue is a big factor with some monitors. The newer generation of monitors - basically kicked off by Genelec offer a whole new experience of being able to use the monitors over long periods with no ear fatigue at all when used at moderate levels. The newer generation of monitors also allow for listening at a lower decibel level while still getting the program material to the brain.

 Quote:

I get nervous when someone says "I could hear things (reverb tails, etc) that I couldn't hear on lesser monitors." So what? the "better" monitor made it stand out. So, I turn down the reverb tail until it sounds good on the monitor. But now there's NO reverb tail on the consumer stereo!

Just like you guys, my gut tells me that More Accurate Is Better. But that same gut tells me that Too Accurate Might Be Chasing My Tail.[/QB]
Bob, is that a theory you have or are you giving a first-hand real-world example?
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#370723 - 05/12/05 04:36 PM Re: Today's Studio Monitor Shootout results.
Dot Offline
Planeteer


Registered: 12/13/00
Posts: 9013
Loc: New York
Reference monitors are called reference monitors for a reason. It's a "reference", not the real thing. No speaker is "accurate". There's no such thing as "too accurate".

The end result is how the work that's done in the studio sounds in the outside real world where people listen to music. If a couple of strings connected to a pair of empty tunafish cans work for someone and they know and trust their "interpretation" of what the reference system is giving them, then the reference system works.
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#370724 - 05/12/05 06:10 PM Re: Today's Studio Monitor Shootout results.
GAWZDigitalUnderground Offline
Artist # 39
Planeteer


Registered: 08/18/02
Posts: 17600
Loc: Rock Star Hell, NC (Charlotte ...
I posted part of this in a thread over at Dan's, and I'll post it here too. This relates to Brad, and Pops comments about the Truths.

I'm sure in an accurate room, you could very well tell the difference, probably a major difference between the Truth's and the Mackies. But how many of us actually have an accurate room. I know I don't. And comparing the two with that in mind, the differences were not that far apart. I'll put it this way, if all I could afford was the Truth's, then I wouldn't beat myself up over not being able to afford the Mackies. \:\) If I could afford the Mackies, or better, then I wouldn't consider the Truths. It's all relative I guess.. ;\) And it is very possible I don't actually know what to listen for, I think that comes with experience, which I'm still working on. But, I'll probably keep the Truth's for Live room playback. It will be interesting to compare finished mixes done on the Dynaudio's, and how they will sound comming through the Truths after the fact..
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#370725 - 05/12/05 06:38 PM Re: Today's Studio Monitor Shootout results.
Vito1 Offline
Planeteer


Registered: 07/29/02
Posts: 7944
Loc: Florida, USA
 Quote:
Originally posted by bdorman:
Assuming the purpose of monitors is to help us achieve a mix that sounds good on most consumers stereos...isn't that the only measure that matters?

I get nervous when someone says "I could hear things (reverb tails, etc) that I couldn't hear on lesser monitors." So what? the "better" monitor made it stand out. So, I turn down the reverb tail until it sounds good on the monitor. But now there's NO reverb tail on the consumer stereo!

Just like you guys, my gut tells me that More Accurate Is Better. But that same gut tells me that Too Accurate Might Be Chasing My Tail.

Bob
Hi Bob,
Up until last week I would have agreed with your analogy because after playing some of my recordings in many different places on many different systems I thought it all sounded good.

Last week , however I played one of my recordings on a A $40,000 system and I must say , that though it was not completely terrible, there were some "Amature" moments on the recording that I never heard before and was not proud of.
JMHO
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#370726 - 05/12/05 06:38 PM Re: Today's Studio Monitor Shootout results.
yoda Offline
Planeteer


Registered: 03/18/03
Posts: 1217
Loc: Santa Barbara, CA
Tech stuff on paper... its just a basis for comparison.

When was the last time any of us bought anything that WE DIDN'T LIKE ???

Its like buying a car... and we are not trying to choose between a Ferrari and Lamborghini or Rolls Royce and Bently. I love the look of the new Mustangs. I never liked the looks of the PT-Cruiser. I would buy a Mustang... even if the PT-Cruiser was a "better" car on paper... just cause I like the new Mustangs. I'm NEVER going to drive at the edge of the envelope on a test track. How I feel about the product is the basis of my purchase decision. This applies to everything we buy. I buy because I can afford it AND I like it.

Hey... I mix with an old Audix HRM3... They were the "Mackies" in those days. I can afford new monitors... I've borrowed the 824 and tried them in the studio. Yeah I liked them... but not $1200 worth. I've listened to Gens and ADAMs and I'm very impressed... but it was not in MY studio. Someday I will get new monitors but it would be something in the "next level"... I hope to get something that would make a difference of night and day... some day.

\:D
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#370727 - 05/12/05 07:03 PM Re: Today's Studio Monitor Shootout results.
transfiguration Offline
Chris
Planeteer


Registered: 10/28/02
Posts: 2232
Loc: Lockhart, TX
Originally posted by GAWS:
 Quote:
It will be interesting to compare finished mixes done on the Dynaudio's, and how they will sound comming through the Truths after the fact..
Please make a post of it when you get to that point. I'm very curious how differently your mixes start translating.

Awesome post guys and much props to DOT for making it happen.

trans

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