It translates well to shitty laptop speakers, in case you were wondering. I dig it. Great vocals, once again.

The mix levels are good, but it sounds really dry; especially vocals.

If that's what you're looking for, you've achieved it.

Not the way I would have gone.

. . Falcon

dry is good. I like the impact. Small room works well for this song, I think.

I like it dry, has nice impact, clear clean.

Another good'n for sure.

I like the bgvs dramatically panned, prefer them exaggerated like that.

Love the half time'y part. I'd be tempted to take even more away from that part, like not as much bass playing or extra stuff..so the return to the "band" becomes a nice contrast...in that 2:40 area. I might be tempted to not mate the bass playing always on the kick pattern, but that's just my experimental side.

I only long for the vocal, in amongst all that harmonics and grit, to be less aggressive and gritty itself, perhaps less sibilant.

Or, it's plenty good as is

I agree with kel: I like the dry-ish but up front immediacy for this song, it just fits/works.

I totally dig the crunch tones you're getting on rhythm guitar with 1-2 in-between position on your strat. Excellent definition. Different EQ on the left and right works perfectly.

Your multi tracking is tight but not too tight - it breathes and is natural, naturally moving some just by the differences in playing, etc., especially on the high notes when chording.

I dig the little trem slides in the intro, very tasty! Dancing days inspired?
Interesting faux-wah on the breaks - or on second listen, a leslie/phase-ish sound. The only thing about that I don't quite like is that the cancelled frequencies tend to make the guitar disappear a little on the first one. It would sound good moving a bit from side to side, and there's room in the mix to do it.

Panning is excellent and moves a little bit here and there, which as said about one of your other songs, helps to carve out space. Always excellent!

The major break in the middle sounds very cool - using your pick to slide across the strings (with one delay) and a gong hit, with some verb processing all around.
I like the one time few notes on the left at 3:15. Things like that make songs come alive.

Of course, all of your riffs and solos sound good and are tasty, as always.

Vocals are very good and the harmonies are about perfect. You buried the verb on them in a very good way. They sound big/wide in spots, for not being in your face, like at the 2:20 mark or so and then at 3:00. They fade into the solo guitar really nicely at the 1:45.

I think the bass sounds perfect. It's got weight while being defined. You dig in at just the right times. I like the slides too.

Drums are good. Heavily compressed snare works well and doesn't take up any more space than it needs. I might add a little volume to the hats though, maybe the kick too *it sounds good though, the beater sound is good).

Quick listen on the 2.1 in the office....

Technically....I didn't hear anything that stood out as "whoa--fix that". FWIW--it sounds solid.

Artistically, I think there's room to come up with some unique treatment of the harmony vocals to make them UUge and wide on top and add a little "macro dynamic" that comes and goes to the tune, which otherwise is a pretty static as rock tends to be. I'd have to play with them and gets a sense for how many tracks and such to really know how possible that is....but, it might be worth a "save as" and establishing a new stereo bus for the Bvox....to see if you can get them really airy and wide. Like "here's the width of the track rocking and then "AHHH....." opens up the highs ultra wide.....and makes it rock harder when they fade into the distance and we're back to the core guitar/bass/drum RAWK!!

You know Gonz, I couldn't get that song out of my head yesterday. I was walking around last night singing it to our dog and he was like, WTF...I like it! My daughter and her mom dug it too!

I know you purposely let your songs breathe by not tracking too tightly (though nicely tight). Along with your panning, it really gives the tracks life AND makes for interesting repeated listening. Each time through I either notice something different or it feels that way. That's a hallmark of a lot of music that we love.